The Flowers of Hawai‘i
Hanafuda Nā Pua Hawaiʻi cards were made to inspire us to explore the ways indigenous Hawaiians lived as a part of nature and participated in building an abundant Hawaiian ecosystem. Along with the plants, some cards reference Hawaiian stories called moʻolelo. These stories give insight into how Hawaiians recognize the patterns of nature and use that knowledge to strengthen the natural ability of the land to provide for itself and humans.
The suits for Hanafuda Nā Pua Hawaiʻi cards are called ʻohana, meaning family. Half of the ʻohana are endemic to the Hawaiian Islands, and half were introduced by Polynesians. The Hawaiians used all the resources available to them from the mountain to the ocean. They also brought plants that were essential to survive on newly discovered Pacific islands. The first settlers of Hawai‘i created a sustainable balance between the needs of the local ecology and human needs for food, shelter, and tools. They were careful to maximize cultivation of products for human necessities, while preserving nature’s capacity for renewal. Plants and animals were not just resources to be exploited; they were family that was cared for and cultivated.
Hawaiian people recognized the diversity of ecosystems in the Islands. They divided each island into districts called ahupua‘a. An ahupua‘a usually divides the Islands in wedges of land from the mountains to the ocean. The plants on the cards were chosen from each ecological zone — costal, grassland, dry forest, and wet forest. The health of each ecological zone in an ahupuaʻa is dependent on the others. Clouds form over the warm Pacific Ocean and release in the mountains. Rainwater is absorbed by the forests of ʻōhia, ʻiliahi, and ferns. The water is allowed to slowly percolate into the ground and feeds aquifers that emerge as springs in the drier lowlands where ʻilima and maʻo hau hele grow. Rivers and streams full of nutrients flow into the ocean feeding fish, coral and algae.
People were able to thrive in an abundant environment when the ecosystem was healthy. The mountain forests provide timber for building, cordage, medicine, and water. In the cultivated uplands, Hawaiians grew sugar cane, sweet potato, banana, breadfruit, kukui, and dry-land taro. Lower down, where the land flattened out, large flooded fields of taro could be grown. Other plants were cultivated for building materials and tools. Hala trees provided materials for weaving canoe sails, baskets, and mats. Kī was used for cooking, thatching and clothing. Coconut was used for tools, buildings, and food. Finally, from the ocean: fish, seaweed, and salt can be harvested. Trading among residents of an ahupua‘a ensured a community could be self sufficient.
Try to think abut your role in your environment when you play Hanafuda Nā Pua Hawaiʻi. How do you participate in your environment? What role do you play? Are you supporting the natural systems to create abundance? Knowing how nature works is the first step toward living in abundance as a part of nature.
- The Flowers of Hawai‘i
- ʻOhana Niu — Coconut
- ʻOhana ‘Ōhi‘a Lehua — Ohia Tree
- ʻOhana ‘Iliahi — Hawaiian Sandalwood
- ʻOhana Hala — Pandanus
- ʻOhana Kalo — Taro
- ʻOhana ‘Ilima — Ilima Flower
- ʻOhana Kī — Ti, Palmlilly
- ʻOhana Limu — Seaweed
- ʻOhana Maʻo Hau Hele — Hawaiian Hibiscus
- ʻOhana ʻUlu — Breadfruit Tree
- ʻOhana Hāpu‘u and Pala‘a — Hawaiian Ferns
- ʻOhana Kukui — Candlenut Tree
- Footnotes
ʻOhana Niu — Coconut


The niu (Cocos nucifera) was brought by the Polynesians as a plant essential to successfully establish permanent settlements on new islands. The coconut tree can provide all the essentials for life. The fruit can be used for food, water, and oil. The shell can be used to make cups, spoons, and small hula drums. The husk makes cordage and kindling for starting fires. The wood is used for building houses, canoes, and large drums. The leaves can be used to make baskets, brooms, and walls for houses.

The flying bird is a red tail tropicbird, koa‘e ula (Phaethon rubricauda). The tropicbird can be found on Kaua‘i. The tropicbird is more common on the remote western Hawaiian Islands. The bird is so adapted to life over the ocean, that it is unable to walk on land. The tropicbird only stays on land while it is nesting, and is particularly vulnerable to land predators like cats, mongoose, and rats.
The long red tail feather of the koa‘e ula was especially prized for kāhili. A kāhili is a standard, used like a flag, for Hawaiian royalty. Large varieties are a long staff (about 10 ft. or 3.5 m tall) topped with an elaborate feather decoration. Smaller versions are handheld sticks with feather tops that were used like royal scepters.
The kāhili was originally a handheld object that signified the owner’s rank as an aliʻi, part of the Hawaiian ruling class. The small kāhili were powerful objects. The handle was made from the thighbone of a conquered king, and the feathers were from birds of prey. It was a clear message to not mess around with the owner, unless you’re prepared to do battle.
Later, in the Hawaiian Kingdom period, kāhili became more grand in scale and less gruesome. The Kāhili were used to display power through wealth. Rare colorful feathers from birds like the koa‘e ula were bound together by the hundreds and mounted on long poles. Kāhili were carried in processions with the Hawaiian monarchs. There are many impressive examples in ʻIolani Palace and Bishop Museum.
ʻOhana ‘Ōhi‘a Lehua — Ohia Tree


The ‘ōhi‘a tree (Metrosideros polymorpha) is endemic to the Hawaiian Islands. There are many variations of the ‘ōhi‘a. Some have red blossoms, some have yellow blossoms. They can be small shrubs, or trees growing up to over 100 feet (30.5 m). The ‘ōhia tree is the most important tree in Hawai‘i. It’s one of the first trees to colonize new lava, and makes up over 80% of the native forests from sea level to high in the mountains. Many birds, snails, and plants depend on the the ‘ōhia for survival. It’s especially important for capturing rainfall and replenishing the underground aquifers.
‘Ōhi‘a grows slowly, and the wood is exceptionally dense and strong. It’s used to make boards for pounding poi, kapa beaters, tools, weapons, canoe parts, medicine, and lei (flower garland). You’ll be doing a great service to the islands if you can plant an ʻōhiʻa in your garden.1
Mo‘olelo of ‘Ōhi‘a Lehua
The ‘Ōhi‘a Lehua is sacred to the Hawai‘i volcano goddess Pele. The tree is called ‘Ōhi‘a and the red blossoms are called Lehua. The story of its origin starts when the volcano goddess Pele fell in love with a handsome warrior named ‘Ōhi‘a. Pele asked ‘Ōhi‘a to marry her. ‘Ōhi‘a refused because he was in love with the woman named Lehua. Pele, in a jealous rage, sent lava to burn the couple. ‘Ōhi‘a lifted up Lehua in his arms in a futile attempt to save her from the lava. The spirits of the forest took pity on the helpless doomed couple and transformed ‘Ōhi‘a into a twisted tree that grows in the barren lava, and Lehua changed into the red blossoms perched on the branching arms of the tree. It is said that if you pick a Lehua blossom it will rain, like the tears of separated lovers.
The ‘amakihi (Chlorodrepanis virens) is one of the more common endemic Hawaiian birds. The ʻamakihi is part of a family of Hawaiian birds call honeycreepers. These birds evolved from a common finch ancestor in to more than 50 different species. Many of them became specialized to feed on flowers. Others adapted to feed on seeds or insects.
The ʻamakihi has a tubular tongue that it uses to feed on the nectar of the ʻōhia blossom. It also feeds on insects and spiders.
Unfortunately, like most Hawaiian endemic birds, they are threatened by mosquito borne diseases and live high in the cold mountain forests. A warming climate allows more mosquitos to move higher on the mountains, and kill more birds.
ʻOhana ‘Iliahi — Hawaiian Sandalwood


The ‘iliahi, Hawaiian sandalwood tree (Santalum freycinetianum), was a major part of the Hawaiian forest. Hawaiian sandalwood is part of the genus Santalum, which is highly valued in Asia for its aromatic wood oil. The name sandalwood comes from the Indian Sanskrit name candana which became sandalum in Latin. The name has nothing to do with footwear.
During the Hawaiian Kingdom (1795–1893), Hawaiians harvested the wood and traded it with foreigners for iron nails, and later for money. Hawaiian Sandalwood was highly valued in China for carving and incense. The 1820s were the peak of the Hawaiian sandalwood trade. The trade in ‘iliahi was a major source of money for the Hawaiian Kingdom, until the forests became depleted.
Hawaiians also value ‘iliahi for it’s strong and fragrant wood. The fragrance comes from oil in the wood. Traditional uses include tools, canoe parts, medicine, and perfume. The cross at the Bishop Memorial Church (the chapel on the Kamehameha School campus) is made of ‘iliahi wood.

Hawaiian kapa is a type of cloth made by pounding wauke (paper mulberry) bark into large sheets. The 20 point card has an example of a large decorated kapa sheet. Kapa can be made from a variety of different plant barks, but Hawaiians are known for their particularly fine quality white wauke kapa. Kapa was used for clothing, wrapping, flags, bedding, and in religious ceremonies. Hawaiian kapa is decorated with printed patterns, dyed, and/or embossed.
The 20 point card is an example of a large printed kapa blanket, or “kapa moe.” Carved bamboo stamps called ‘ohe kapala are used to make patterns on the kapa. The 10 point card is an example of freehand drawing on the kapa.
Kapa with a nice smell is as important as its visual appeal. Along with various flowers, fragrant ‘iliahi heartwood was ground into powder to perfume kapa. Modern perfumers still value sandalwood oil because it fixes more volatile fragrances in the perfume mix to make them last longer.
ʻOhana Hala — Pandanus


The hala tree (Pandanus tectorius) grows mostly in coastal, and lowland environments. It has a multitude of uses. The leaves are used to make mats, baskets, and sails for canoes. The wood was used in construction, the roots for medicine, and the fruit for lei. The fruit was eaten in times of famine. The edible part is small and takes a lot of effort to extract. Although Polynesians brought their favorite varieties of hala to Hawaiʻi, there are indigenous varieties of hala in the Islands too.
The pueo is an endemic owl (Asio flammeus sandwichensis). The Hawaiian owl is active most during the day. Many Hawaiians saw the pueo as a sacred protective spirit. The birds always seem to be watching over the land and its people.
Mo‘olelo of Kahalaopuna

The pueo and rainbow card refers to the legend of Kahalaopuna of Mānoa, on O‘ahu. Mānoa valley is northeast of Honolulu and known for being a rainy place. For most of the year, the trade winds regularly blow rain laden clouds over the Ko‘olau Mountains from the northeast. The wind and rain spill down the valley as a heavy mist. Mānoa valley is known for its frequent and spectacular rainbows. Kahalaopuna is the rainbow of Mānoa. She is the daughter of the wind and rain of Mānoa Valley. The legend of Kahalaopuna tells of her betrothal to Kauhi, a prince of Kailua.
Kahalaopuna was the beautiful daughter of the rain and wind of Mānoa. Ka-hala-o-puna means “the hala tree of the spring.” She was so beautiful that a rainbow followed her everywhere she went. She was betrothed to marry Kauhi, a young chief who came from the windward side of the island.
Kauhi liked to surf at Waikīkī, the shore directly south of Mānoa valley. There, he met two disfigured men that were jealous of Kauhi’s betrothal to the beautiful Kahalaopuna. The two men told Kauhi lies of how Kahalaopuna had been unfaithful to him.
Kauhi went up to Mānoa valley in a rage. He made a club from the fruit of the Hala tree, which can be quite heavy and hard. He found Kahalaopuna and struck her on the head, murdering her.
The ‘aumakua, guardian spirit, of Kahalaopuna was the Pueo owl. The Pueo saw what Kauhi had done and brought Kahalaopuna back to life after Kauhi had abandoned her body. Several more times Kauhi killed Kahalaopuna, and her pueo ‘aumakua revived her. Each time Kauhi brought Kahalaopuna further away from her home. Finally, Kauhi found a place too far for her ‘aumakua to find her. Kauhi struck Kahalaopuna again and left her for dead.
Fortunately, a man from Mō‘ili‘ili found Kahalaopuna’s almost lifeless body. He brought her back to his home in Mō‘il‘ili, a district just below her home, between Mānoa valley and Waikīkī. He and his family were able to heal Kahalaopuna in the underground water caves of ‘Mō‘ili‘ili. After Kahalaopuna was fully recovered. She and her rescuer made a plan to punish Kauhi. The man went down to Waikīkī and tricked Kauhi into wagering his life in a bet that Kahalaopuna was no longer living.
The man brought Kahalaopuna to confront Kauhi in front of the chiefs of Waikīkī. All of the heartless deeds of Kauhi were exposed. Kauhi was sentenced to death. He was to be baked in an oven on the shores of Waikīkī. On the day that Kauhi was executed, a tidal wave flooded the shore and swept his body into the ocean. The ‘aumakua, guardian spirits, of Kauhi inhabited sharks. They took the spirit of Kauhi to join them in the sharks in the waters near Waikīkī.
Kahalaopuna married the man from Mō‘ili‘ili. They lived happily together for about two years. One day, Kahalaopuna wanted to go surfing at Waikīkī. Unfortunately for her, the spirit of Kauhi was still patrolling the waters as a shark. When he found her surfing, he devoured her.
This mo‘olelo gives a detailed description of the weather in Mānoa valley. It also details the hydrology of the ahupua‘a of Waikīkī. The story of Kahalaopuna, as a representation of the rainbows of Mānoa, illustrates the weather patterns of the valley. Rainbows need sunlight and rain to appear. The patterns of weather and sun make rainbows appear in the morning, disappear at midday, and reappear in the afternoon.
The rain in the back of Mānoa valley usually falls in the early morning and afternoon. The sun rises in the east over Waʻahila ridge2 and reveals rainbows at the foot of the valley over Mo’ili’ili. The heat of midday creates a convection current which draws hot air up from Waikīkī and pushes the mist and rain clouds out of the valley into the mountains, slaying the rainbows. In the afternoon, the land cools down. The clouds and rainbows return. Kahalaopuna is resurrected in the afternoon as the sun reveals rainbows in the back of the valley.
Rain in Mānoa valley percolates down into the subterranean caves and tunnels of Mō‘ili‘ili at the foot of the valley. The underground water system continues down to the seashore. Wai-kīkī means “spouting water.” Waikīkī used to have many artesian springs. The waters of Kahalaopuna appear again above the ground at the shores of Waikīkī.
The last part of the story cautions that the sharks off Waikīkī are periodically dangerous. The story may be a reference to tiger sharks which breed in cycles of three years and hammerhead sharks which are on a two year cycle. Both tiger and hammerhead sharks are known to bite people. The waters near Lēahi, Diamond Head, and Waikīkī can be full of sharks toward the end of summer when sharks are giving birth to pups.
ʻOhana Kalo — Taro


Kalo, or taro (Colocasia esculenta), is the foundation of the traditional Hawaiian diet. The base of the kalo plant is is a starchy tuber called a corm. The Hawaiian word for the corm is kalo. The corm is cooked and pounded into a paste called poi. The leaves, called lau or lū‘au, are also edible. The whole plant is high in oxalates and are poisonous if eaten raw. It must be boiled or steamed well to make them edible.
The 5 point card shows the Kalo in a lo‘i. The lo‘i is the flooded kalo field that wet-land kalo are grown in. The wet-land kalo can be more than ten times as productive as the dry-land variety. The wet kalo plants take longer to mature, but the yields are higher. The Hawaiians cultivated many varieties of kalo to suit different habitats, and for different purposes. Some kalo are especially large, some have yellow corms, some purple, some are for medicine.
The large gently sloping lowlands of the Hawaiian Islands are particularly well suited for wet-land kalo farming. Kalo was brought by Polynesian settlers, and became Hawaiians’ main food source. Legend tells that kalo is the Hawaiian ancestor Hāloa.
Mo‘olelo of Hāloa
The sky god Wākea had two children with his daughter Ho’o-hōkū-ka-lani (the mother of stars). The first son was stillborn. They named him Hā-loa (eternal breath) and buried him in the ground. Ho’ohōkūkalani watered Hāloa’s grave with her tears. The next day, a long stem with a heart shaped leaf on the end sprouted from the ground. The tender leaf fluttered in the breeze. Hāloa reborn as the taro plant is named Hāloanakalaukapalili, the long stem with trembling leaves.
Later, Wākea and Ho‘ohōkūkalani had a second son. He was healthy and was also given his brother’s name, Hāloa. Hāloa the man became the first Hawaiian. The younger brother dedicated his life to caring for his older brother. As descendants of Hāloa, Hawaiians dedicate themselves to caring for the kalo as their older sibling.
ʻOhana ‘Ilima — Ilima Flower


The ‘ilima (Sida fallax) is an endemic hibiscus that grows in rocky dry areas unsuitable for many other plants. The flowers are yellow to light orange in color and are less than 1 inch (2 cm) in diameter. It’s the official flower of O‘ahu. An ‘ilima lei is very special and was once reserved only for the ali‘i, the Hawaiian ruling class. An ‘ilima lei is precious because it takes between 500–1000 tiny blossoms to make a lei.
The blossoms bloom in the summer, and attract the Kamehameha butterflies (Vanessa tameamea). The Kamehameha butterfly is one of two endemic species of butterflies in Hawai‘i and is the Hawai‘i State insect. The butterfly is named after the family of King Kamehameha who founded the Hawaiian Kingdom. The Hawaiian word for the butterfly is pulelehua.
The purple kapa in the ‘ilima bush is an example of some of the different kapa decorating techniques. The purple dye is made from the ʻuki‘uki berry. The embossed pattern is made by pounding the wet wauke fibers with textured mallets.
ʻOhana Kī — Ti, Palmlilly


The kī, or ti plant (Cordyline fruticosa), is a canoe plant used for roof thatching, clothing, fishing, medicine, food, and food service. The kī is also politically and religiously significant. A sign of high ranking kahuna, priest or expert, is to have a lei made of kī. Kī leaves are used as spiritual purifiers and protection. Tall kī stalks with a top of full leaves were carried upright into battle, to let them drop was a sign of surrender.
The black pig, or pua‘a, was brought by the Polynesians. Pigs reproduce very quickly, and are not picky eaters. The Hawaiian pigs were small and fully domesticated. The endemic Hawaiian forests did not have enough large fruit bearing plants for the pigs to survive on their own in the wild. Pua‘a were a treasured resource for any Hawaiian family. Besides the meat, pigs teeth were used as ornamentation, and their bones were used for fishhooks.
ʻOhana Limu — Seaweed


The ocean holds more than just fish. Hawaiians know how to use all of the varieties of seaweed available. Limu, or algae, was considered an essential part of a balanced diet, along with fish and poi. Some limu were also used as medicine. Hawaiians cultivate limu in the ocean just as carefully as the kalo in the lo‘i. Fish are also raised in fresh and salt-water ponds.
The Hawaiians planned some of their activities according to the phases of the moon. Planting and harvesting were regulated by the phases of the moon, as were fishing practices. At certain times of the month or year certain fish were kapu, forbidden, from being harvested. This was both to maintain the fisheries, and to maximize the catch with the least effort.
When the full moon shines fishing in the deep ocean is said to be good. The ulua, giant trevally (Caranx ignobilis), is a large predatory reef fish that lives mostly close to shore. The larger ones can be found in deeper water preying on tuna. Hawaiian outrigger canoes would use sails for deep sea fishing, and inter-island trips.
When the seasons change, animals move from their summer home to their winter home. The kōlea, Pacific golden plover (Pluvialis fulva), migrates every fall to Hawai‘i from Alaska. The ‘ama‘ama, mullet fish (Mugil cephalus), also migrates every year from ‘Ewa, on the southwest of O‘ahu, to Lā‘ie, on the northern shore.
ʻOhana Maʻo Hau Hele — Hawaiian Hibiscus


The ma‘o hau hele (Hibiscus brackenridgei) is a large yellow endemic hibiscus, and the Hawai‘i State flower. The name ma‘o hau hele, means “green traveling hau”(hau is another hibiscus species). This shrub blooms infrequently. The ma‘o hau hele is similar to other hibiscus species, but it is usually green and flowerless for most of the year. The plants only live a few years, and tend to split and break easily. New plants can grow from the fallen branches. Over the years, it may seem like a ma‘o hau hele is creeping away from where it used to be.
Most Hawaiian endemic hibiscuses originate from Asia. Interestingly, the ma‘o hau hele appears more like an African variety of hibiscus. The Difference can be seen in the flowers. The Asian varieties have a short thin stamen with pollen branching out on thin filaments near the end. The Ma‘o hau hele has a longer thicker stamen with pollen on stubby filaments along its length.
The coconut shell cup on the 5 point card is filled with ‘awa—also called “kava kava” in other parts of the Pacific. This mildly intoxicating drink is made from soaking the pounded root of the ‘awa plant (Piper methysticum) in water and drinking the cloudy mixture.
Mo‘olelo of Kāne and Kanaloa
Legend says that the gods Kāne and Kanaloa travelled together across the Hawaiian Islands creating freshwater springs. Kanaloa is associated with underground water and pools of still water. Kāne is the god of sunlight and flowing fresh water. Kanaloa would point out to Kāne where underground water flowed. Kāne would then pierce the ground to create a spring. Together, they would use the water to mix with pounded ‘awa root and drink together. These legends of Kāne and Kanaloa recognize that the life-giving rain of Kāne in the mountains feeds the underground aquifers of Kanaloa, which feed freshwater springs.
The gods are credited with bringing fresh water springs to parts of the Islands that would normally be hot and dry. The legends remind people to be mindful of the health of the mountain uplands where the rain falls and the underground rivers that carry water down.

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In the late 1800s the mountain forests were cut down to make space for ranching and sugar plantations. Cattle, goats, and deer ate away at the native forests. When the forests were destroyed, water was not able to be absorbed into the ground and ran off the surface of the land into the ocean. Silt from the ocean killed the coral and fish.
Irrigation tunnels were dug into the mountains to divert water from the wet windward sides of islands to irrigate sugar plantations on the drier leeward sides. Urban development also covered over many natural springs and channeled natural streams into concrete canals. Diversion of water has caused even areas with abundant rainfall to be dry. Leeward areas where water has been diverted are critically in danger of drought and wildfires.
The Hawaiian Islands were facing chronic drought and environmental collapse by the early 1900s. The watershed forests were partially restored with fast growing non-native trees. However, parts of the Islands still face chronic drought because of water diversions. The story of Kāne and Kanaloa are a reminder to observe nature and work with natural functions to create abundance. We face disaster when we use shortsighted brute force to control nature and take from the land without giving back.
ʻOhana ʻUlu — Breadfruit Tree


‘Ulu , breadfruit (Artocarpus altilis), can be grown on slopes or rocky ground unsuitable for cultivating fields of kalo or ‘uala—taro and sweet potato. The ‘ulu was brought to Hawai‘i by canoe, and cultivated throughout the tropical Pacific. A mature tree fruits twice a year and can provide hundreds of pounds of breadfruit each season.
The ‘ulu tree is extremely productive, nutritious, and useful for its wood and leaves. The tree also has a sticky white sap which was used for glue, caulk, and medicinally. A fruit is mature when it reaches full size but is firm and still full of sticky white sap. It can weigh between 2 -12 pounds (1-6 kg) depending on the variety. Mature fruit has a starchy potato-like consistency when cooked. The ripe fruit does not have latex sap and is gooey with a sweet flavor like pineapple and bananas.
Mo‘olelo of Kū and the ʻulu tree
Hawaiian legends say that the ʻulu was a gift from the god Kū. Before Kū was a god, he was just a man. As a man he married a wife and had a family. He lived in a village with other people.
There came a time of terrible famine. Kū was determined to feed his family and buried himself in the ground. His grieving wife thought he was dead and watered the ground where he was buried with her tears. The next day a tiny ʻulu sprout appeared. The ‘ulu rapidly grew into a magnificent tree over the spot where Kū was buried. The torso of Kū became the trunk, the branches his arms, and the fruit his head.
Kū appeared to his wife in a dream and taught her how to peel and cook the fruit. His family was saved from starvation. When other people from the village came to take fruit from the tree, it disappeared down into the ground. Kū appeared to his wife in another dream. He taught her to dig up the small ʻulu shoots that grew around the tree and give them to the villagers. She did this, and everyone had a tree of their own which provided plenty to eat. The tree and its fruit were gifts of Kū that rescued people from famine.
The story of Kū and the ʻulu tree is similar to the legend of Hāloa and the kalo. These two very important staple foods are depicted as the embodiment of our ancestors. The moʻolelo are reminders that we are what we eat. We should cultivate our food carefully, as if we are caring for our own bodies.
The animal under the tree is an ‘īlio. The Hawaiian ‘īlio is an extinct breed of dog that was fed on a mostly vegetarian diet. They were often fed a mash of cooked ʻulu fruits called poi. The ‘īlio was also known as the “poi dog.” Nowadays, any mixed breed dog in the Islands is called a poi dog.
Hawaiians had no use for working dogs for hunting or herding, because there were no large animals to hunt or herd on the Islands. Dogs were bred for food, and valued similarly to pigs.
When missionaries began arriving in the Islands, eating dogs was generally discouraged by Westerners and their consumption went out of fashion. The poi dog was not a good pet. The breed was said to be dim-witted and strong-willed, which led to its eventual extinction.

ʻOhana Hāpu‘u and Pala‘a — Hawaiian Ferns


The hāpu‘u is the Hawaiian tree fern (Cibotium menziesii). It can grow up to 20 feet (7 m) high, and is common in many Hawaiian forests. The pala‘a is the Hawaiian lace fern (Sphenomeris chinensis). It is endemic to all of the Hawaiian Islands. It was sacred to Lono, the god of rain, fertility, and peace. It was used as a dye, and is used today as lei. Both ferns have medicinal uses.

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The 5 point card has a young girl in a dress. The checkered pattern of the girl’s dress is known as “palaka.” The Hawaiian word “palaka” came from the word “frock.” Frocks, or long dresses, in Hawai‘i during the time of the Hawaiian Kingdom were commonly made from inexpensive cotton cloth with a checkered pattern. Later, this same patterned cloth was used to make uniforms for plantation workers. Over time, palaka came to refer to the pattern, instead of the article of clothing.
The picture of the girl is a reminder of a story told by the Hawaiian historian Mary Kawena Pukui. She told a story about when she was a young girl, and how her aunt taught her traditional Hawaiian medicine.
A patient of her aunt had a injured foot. The patient dreamt that a young girl gathered ferns to make a cure for her foot. Following her aunt’s instructions, Mary Kawena Pukui went out into the forest just before dawn alone in the dark, to gather ferns for medicine. When she gathered the fern, she was careful to recite the proper prayers to the gods, and keep the ferns picked with the right hand separate from those picked with the left.
The message of the picture on the card is that we learn by doing. At some point, we must go out on our own to practice the knowledge given to us by those who know. When we recognize the functions of nature, we can access and cultivate the abundance around us.
The third card shows a legendary battle between Hi‘iaka and mo‘o. Hi‘iaka is the youngest sister of Pele the volcano goddess of Hawai‘i, and wears a skirt of pala‘a and Pā‘ū o Hi‘iaka.
The scene is from a famous epic of Hi‘iakaikapoliopele. It tells of how Pele sent her sister to bring a man, Lohi‘au, from Kaua‘i to Hawai‘i. Among Hi‘iaka’s many adventures is the battle where she fights the mo‘o sisters of Kaua‘i, She smites them with lightning bolts in her skirt. The mo‘o is a mythical lizard with magical powers, like dragons. Mo‘o are usually female and are powerful protectors, or fearsome adversaries. Mo‘o also refers to a person’s ancestry. The long spine of a lizard represents the many generations connected through ancestry.



Lono is represented by the storm card. Lono is the god of peace and rejuvenation. He is also the god of the dark storm clouds that come from the east, thunder lightning, and rain. On the bottom right of the lightning card is a pahu drum. The pahu represents the sound of thunder.
On the left is the Ipu Makani o Laʻamaomao, wind gourd of La’amaomao, was used to control the winds.3 The gourd is the kino lau, embodiment, of the god Lono. Lono is like the dome of heaven, his rain nourishes the seeds and brings forth life from the land. The gourd container like Lono contains all the weather and winds of the world.
The mākini gourd mask is often mistaken for a helmet. The mākini was a mask made from the kino lau, or different physical forms, of Lono. It was worn by the priests of Lono during the Makahiki season sacred to Lono. It is another example of how the gourd is used to represent Lono.
There are many different stories of La‘amaomao. La‘a-maomao means “remote sacredness.” He is known as a male wind god in other Polynesian traditions. He is said to have come from Kahiki and settled on Molokai.
The creator of the wind gourd was a Hawaiian wind goddess. The gourd held her bones and was passed down through the generations of her family. Her descendants used the gourd to control the winds by calling them out of the gourd by name. They could also call them back into the gourd.
The Ipu Makani o La‘amaomao is an actual object currently in the Bishop Museum. The large ipu is made of koa. Ipu in this case refers to the shape of a container as a form of Lono—even though itʻs not made from a gourd shell.
It was obtained by King Kalākaua in 1883. He had it embellished with brass and mounted on a stand for display. The brass plaque on the ipu reads in translation:
“The wind container of La‘amaomao that was in the keeping of Hauna, personal attendant of Lonoikamakahiki I. It passed on to Pāka‘a a personal attendant of Keawenuia‘umi. It was placed in the royal burial cave of Ho‘aiku, on the sacred cliff of Keoua, at Ka‘awaloa, island of Hawai‘i. Received by King Kalākaua I on January 1, 1883, from Ka‘apana, caretaker of Ho‘aiku.”4
The plaque details the provenance of the ipu. Pāka‘a was the great-grandson of the goddess La‘amaomao. He was a navigator for the king of Kona on Hawaiʻi island, Keawenuia‘umi (1505–1575). Keawe-nui-a-ʻumi is the ancestor of Kamehameha. He is also known by the abbreviated name Keawe. The story of Pāka‘a and Keawenuia‘umi tells of how the king betrayed his loyal attendant. King Keawe betrayed Pāka‘a by taking away his titles and privileges in response to untrue rumors spread by jealous ali‘i.
Pāka‘a left Hawai‘i after being humiliated by king Keawe and went to live on Molokai. Sometime later, king Keawe felt remorse and went to search for Pāka‘a, who was rumored to be living on Kaua‘i. Along the way, the king’s party encountered Pāka‘a’s son near Molokai. The son also knew how to use the power of the Wind Ipu of La‘amaomao. He managed to redeem his father’s reputation and punish the deceitful ali‘i through a series of tricks and challenges. Pāka‘a returned to serve the king of Hawai‘i and Keawe’s son Lonomakahiki.
The kings of Hawai‘i used to have their bones and relics housed in a temple mausoleum on the shore of Kealakekua Bay. This heiau or temple is called Hale o Keawe, “the house of Keawe.” The heiau has been reconstructed and is a National Park today. It is one of the few places where you can see what an active Hawaiian temple might have looked like.
During the Hawaiian Kingdom period, the Hale o Keawe was abandoned. The Hawaiian religion was overthrown in 1819 shortly after the death of Kamehameha. Christianity eventually replaced the old religion. All of the temples were abandoned or destroyed.
Hale o Keawe was spared destruction because it held the bones of the King’s ancestors. The bones and relics were moved to a more secure location while a mausoleum was being built in Nu‘uanu to house the royal bones. Precious relics and bones were placed in the cave of Ho‘aiku in the Ka‘awaloa cliffs above Kealakekua Bay on the island of Hawaiʻi. This is from where King Kalākaua retrieved the Wind Gourd of La‘amaumau.
King Kalākaua was the first king of the Hawaiian Kingdom not to be a descendant of Kamehameha. Retrieving a relic from the Ho‘aiku cave probably bolstered his legitimacy to the throne. The story of Pāka’a is also one of jealous false accusations, and redemption.
ʻOhana Kukui — Candlenut Tree


The Kukui tree was brought to Hawai‘i for its many uses. The kukui is also known as the candlenut tree (Aleurites moluccana). The nuts are full of oil. Hawaiians would burn them like candles for light, and use the oil for medicine and waterproofing. The wood was also used for canoes.
The ‘iwa is the great frigate bird (Fregata magnificens). If you look at the ‘iwa feet, you will notice that they are not webbed like other sea birds. This is a sea bird that is not waterproof. If it falls in the ocean, it may drown. It catches fish by swooping down to snatch fish with it’s hooked beak near the surface, or it steals fish from other birds. The ‘iwa can fly for months without resting. They can fly up to 12,000 feet (4000 m) and for an average distance of 300 miles (480 km) a day.
Hawaiians admire this bird for its ability to fly long distances, its agility, and aggressiveness. Ka‘iwakīloumoku was a nickname given to Kamehameha for his ability to conquer islands. Ka-ʻiwa-kīlou-moku means “the ‘iwa that snatches islands.” In the past being a thief for the king was an admirable profession. Hawaiian kings would send their skilled thieves to plunder treasures from other kingdoms and acquire wealth and power without violence.
There is a moʻolelo about a boy named ‘Iwa that lived with his father Kukui near Makapu‘u. ‘Iwa was the best thief in all of the Hawaiian Islands. Like the story, the ‘iwa bird is known for stealing fish out of the mouths of other seabirds on the wing, and tends to nest in tall trees near the ocean. The mo‘olelo describes in detail many of the traits of the ‘iwa bird.
Footnotes
- the ʻŌhiʻa Legacy Initiative provides trees for planting on Oʻahu. http://www.ohialegacy.org/home.html ↩︎
- Waʻahila ridge has its own story about rain and rainbows: https://www.pacificworlds.com/nuuanu/land/rain.cfm#:~:text=Ki’owao%20and%20Wa’ahila,1991)%2C%20is%20summarized%20here. ↩︎
- This article describes the significance of the wind gourd in more detail: http://www2.hawaii.edu/~dennisk/texts/introwindgourd.html ↩︎
- Text by Roger Rose from Hawai’i: The Royal Isles (Honolulu: Bishop Museum Press, 1980) p. 181 ↩︎









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